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Form: Gk. aulos = pipe, Lat. tibia = shin-bone.
This was, in antiquity, an instrument resembling the modern clarionet made of reed, box, bay, ivory, or bone. Its invention was ascribed to Athene (see MARSYAS). The wind was introduced by a mouthpiece, with one or two tongues, put on at every performance. In addition to the holes at the mouth it often had holes at the sides provided with stops. Besides the single flute, a double flute was sometimes used, especially at theatrical performances, funerals, sacrifices, and festal processions. This consisted of two flutes played at the same time by means of either one or of two separate mouthpieces. The two flutes together had as many notes as the Syrinx (see SYRINX). The right hand played the bass flute (tibia dextra), the left hand the treble (tibia sinistra). The two flutes were either of equal length and similar form, or unequal length and similar form, or unequal length and dissimilar form. In the Phrygian double flute, one pipe was straight, the other larger and bent at the end like a horn (see fig. 1). It is a peculiarity of Greek and Roman flutes that they were sometimes provided with a check-band covering the mouth, its opening fitted with metal. Through this opening were fixed the mouthpieces of the double flute (fig. 2). The long pipe is also an invention of the ancients.

Pictures and Media
PHRYGIAN DOUBLE FLUTE. (Museo Pio Clement., V, tailpiece.)
FLUTE-PLAYEER WITH MOUTHPIECE. Bronze, from Dodona (Carapanos, pl. 10.)
Type: Standard
gutter splint
gutter splint
gutter splint