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JEIUNIUM 100.00%
The first breakfast among the Romans (see MEALS). On Ieiunium Cereris, the fast of Ceres, see CERES.
CERES 100.00%
An old Italian goddess of agriculture. The Ceres who was worshipped at Rome is, however, the same as the Greek Demeter. Her cultus was introduced under the Italian name at the same time as that of Dionysus and Persephone, who in the same way received the Italian names of Liber and Libera. It was in 496 B.C., on the occasion of a drought, that the Sibylline books ordered the introduction of the worship of the three deities. This worship was so decidedly Greek that the temple dedicated on a spur of the Aventine in 490 B.C., over the entrance to the Circus, was built in Greek style and by Greek artists; and the service of the goddess, founded on the Greek fable of Demeter and Persephone, was performed in the Greek tongue by Italian women of Greek extraction. The worshippers of the goddess were almost exclusively plebeian. Her temple was placed under the care of the plebeian aediles, who (as overseers of the corn market) had their official residence in or near it. The fines which they imposed went to the shrine of Ceres, so did the property of persons who had offended against them, or against the tribunes of the plebs. Just as the Patricians entertained each other with mutual hospitalities at the Megalesian games(April 4-10), so did the Plebeians at the Cerealia, or games introduced at the founding of the temple of Ceres. Those held in later times were given by the aediles from the l2th-19th April, and another festival to Ceres, held in August, was established before the Second Punic War. This was celebrated by women in honour of the reunion of Ceres and Proserpina. After fasting for nine days, the women clothed in white, and adorned with crowns of ripe ears of corn, offered to the goddess the firstfruits of the harvest. After 191 B.C. a fast (ieiunium Cereris) was introduced by command of the Sibylline books. This was originally observed every four years, but in later times was kept annually on the 4th of October. The native Italian worship of Ceres was probably maintained in its purest form in the country. Here the country offered Ceres a sow (porca praecidanea) before the beginning of the harvest, and dedicated to her the first cuttings of the corn (praemetium). (See DEMETER.)
In Italy, a movable festival of the old village communities (see PAGUS), celebrated after the winter-sowing in January, on two days separated by an interval of a week. On this occasion a pregnant sow was sacrificed to Tellus or to Ceres, who at a later period was worshipped together with Tellus.
TELLUS 32.15%
The Italian deity of mother-earth, often called tellus mater. She was invoked during earthquakes (her temple in Rome having been dedicated in 268 B.C. in consequence of an earthquake in the time of war). She was also invoked in solemn oaths as the common grave of all things, together with the Manes and with Jupiter, the god of heaven. Like the Greek Demeter, she was also the goddess of marriage, but was most revered in conjunction with Ceres as goddess of fruitfulness. Thus in her honour were held the festival of the sowing (ferioe sementivoe), celebrated in January at the end of the winter seed time, fixed by the pontifex to be held on two consecutive market days. The paganalia were celebrated at the same time in the country, when a pregnant sow was sacrificed to Tellus and Ceres. Besides these, there was the feast of fordicidia or hordicidia, at which cows in calf (fordoe) were sacrificed to her. This was held on the 15th of April to insure plenty during the year, and was celebrated under the management of the pontifices and the Vestal Virgins, partly on the Capitol in the thirty curioe, and partly outside the town. The ashes of the unborn calves were kept by the Vestal Virgins till the feast of the Parilia (see PALES), when they were used for the purpose of purification. Besides the female deity, a god Tellumo was also worshipped.
In Italy. In Italy also the existence of the community was regarded as based upon agriculture. This is proved by the practice of marking the site of the future walls of a new town by a furrow drawn with the plough. At Rome especially, the body of irremovable peasantry long formed the core of the commonwealth. In political life the free peasant was the only factor held in account, and accordingly in war the object was to increase the number of free peasants by planting them out on as much of borderland as could be wrested from the enemy. In early times agriculture was thought the only respectable calling in which a Roman citizen could engage; and manual labour on the land was held in unqualified esteem and as bringing no disgrace even upon persons in high place. Husbandry was mainly directed to the raising of grain, the ordinary cereal being at first spelt, till, in the 5th century B.C., wheat began to take a place beside it. They also cultivated barley, millet, and leguminous plants, as well as turnips, greens, and herbs for fodder. On irrigation and drainage the Italians bestowed much pains. They had no lack of grass-lands, either for pasture or haymaking; and from an early time these were artificially watered. The cultivation of the vine and olive extended as that of grains declined (see below); so did the growth of orchard-fruit, which, under the late Republic and the early Empire, received a vast expansion both from the improvement of native kinds and the introduction and naturalization of many foreign fruits. In earlier times the prime favourite among fruit trees had been, as in Greece, the nutritious fig. Agriculture proper was ruined by the acquisition of the first extra-Italian possessions, Sicily and Sardinia; for the corn supplied by the provincials as tribute in kind began to be used, not only in provisioning the armies, but in feeding the urban population. (See ANNONA.) As the State, to humour the rabble of Rome, sold this corn at the lowest possible prices, sometimes even below its value, the growth of cereals ceased to be profitable; farmers kept it down to a minimum, and took to cattle-breeding or raising wine and oil. These branches of industry not only flourished in the face of competition, but with judicious management were highly remunerative. The death-blow was given to the Italian peasantry by the increasing employment of slaves and the absorption of small farms in large estates (see LATIFUNDIUM). On these, besides the growth of wine, oil, and fruit, the breeding of birds, game, and cattle was carried on, as well as woodcraft, and special industries, pottery, charcoal-burning, and others. Farming implements, in addition to the plough (q.v.) usually drawn by oxen, which was much the same among Greeks and Romans, and always very imperfect, included a great variety of spades, hoes, and mattocks, and among Romans the harrow, the use of which among the Greeks is doubted. The season for sowing all cereals was usually autumn. At harvest the stalks were cut with the sickle about half-way down, and the rest left standing as stubble, to be either burnt or utilized for manure. The process of threshing (q.v.) was very defective. (For ancient works on husbandry, see GEOPONICI.)
The Italian festival of blessing the fields, which was kept at Rome on May 29th. The country people walked in solemn procession three times round their fields in the wake of the su-ove-taur-ilia, i.e. a hog, ram, and bull, which were sacri- ficed after a prayer originally addressed to Mars, afterwards usually to Ceres and other deities of agriculture, that the fruits of the fields might thrive. Comp. ARVAL BROTHERS.
AEDILES 19.16%
The two Plebeian Aediles were appointed B.C. 494 at the same time with the Tribuneship of the Plebs, as servants of the Tribunes, and at first probably nominated by them till 471, when, like them and under their presidency, they began to be elected by the whole body of the Plebs. They took their name from the temple (aedes) of the plebeian goddess Ceres, in which their official archives were kept. Beside the Custody of the plebi-scita, and afterwards of the senatus-consulta, it was their duty to make arrests at the bidding of the tribunes; to carry out the death-sentences, which they passed? by hurling thecriminal down from the Tarpeian rock; to look after the importation of corn; to watch the traffic in the markets; and to organize and superintend the Plebeian and Roman Games. Like the tribunes, they could only be chosen from the body of the Plebs, and wore no badge of office, not so much as the toga praetexta, even after they became an authority independent of the tribunes.
The act of the Roman pontifices, in virtue of which a thing was pontifices as sacer, i.e. belonging to, or forfeited to, the gods. (On the rite of consecratio associated with the solemn dedication of a sanctuary, see DEDICATIO; on consecratio as the apotheosis of the emperor, see APOTHEOSIS.) In case of certain offences, sentence of consecratio capitis et bonorum was pronouned upon the offender, whose person and property were then made over as a sacrifice, to some deity. A married man who sold his wife was devoted to the gods below; a son who beat his father, to the household gods; one who removed his neighbour's landmark to Terminus; a patronus who betrayed his client, or a client who betrayed his patronus, to Jupiter; one who stole rorn in the ear, to Ceres. To kill a homo sacer was riot accounted as murder, but as the fulfilment of the divine vengeance.
A festival of Greek origin, first ordered by the Sibylline books in 399 B.C. It was held on exceptional occasions, particularly in times of great distress. Images of the gods (probably portable figures of wood draped with robes, and with their heads made of marble, clay, or wax) were laid on a couch (called the lectus or pulvinar). A table was placed before them, on which was laid out a meal, always a free-will offering. At the first Lectisternia, there were three lecti arranged for three pairs of non-Roman divinities; Apollo and Latona, Heracles and Artemis (Diana), Hermes (Mercurius) and Poseidon (Neptune). Afterwards this sacrifice was offered to the six pairs oi Roman gods, who corresponded to the twelve great gods of the Greeks: Jupiter, Juno, Neptune, Minerva, Mars, Venus, Apollo, Diana, Vulcan, Vesta, Mercury, and Ceres. These banquets to the gods generally took place at festivals of prayer and thanksgiving, which were called Supplicationes (q.v.), and were per formed in the market-places or at appointed temples, in which arrangements for the purpose were on a permanent footing. It was customary to have connected with this a domestic feast, to which both strangers and friends were invited, and in which even those imprisoned for debt were allowed to participate. From the commencement of the 3rd century B.C. a banquet was regularly given to the three Capitoline divinities, Jupiter, Juno, and Minerva, on every 13th of November, in conjunction with the plebeian games. Under the Empire the celebration was on the 13th of September, and was associated with the Roman games. From B.C. 196 it was pro vided by the College of Epulones (q.v.). The images of the three gods were decked with curls, anointed, and tricked out with colours. Jupiter was placed reclining on a cushion, with a goddess on each side of him seated on a chair; and the divinities were invited to a banquet, in which the whole senate participated.
Agriculture was in Greece a leading industry, at least as early as Homer. The soil was stubborn, fertile plains being comparatively few, and mountains and rocky ground preponderating. But, favoured by a genial climate, agriculture was carried on almost everywhere with a zeal to which the wants of a dense population added their stimulus. That it was regarded as the very groundwork of social life is shown by the fact that its guardian goddess Demeter (Lat. Ceres), presided also over wedlock and law. It was looked upon as the most legitimate way of earning a livelihood. It was carried to the highest pitch in the Peloponnesus, where every scrap of cultivable soil was made to yield its crop, as maybe seen to this day by the artificial terraces that scarp every mountain-slope. Much care was bestowed on irrigation. Scarcity of water was supplemented by artificial means; provision was made against irregular bursts of mountain torrents by embarking and regulating the natural outlets, while moist lands were channelled and stagnant waters drained. Water was distributed everywhere by ditches and canals, under the supervision of State officials; and laws of ancient date guarded against the unfair use of a water-course to a neighbour's damage. The land was mainly cultivated by slaves and serfs, though field-labour was not deemed dishonourable to the freeman, ex- cept where law and custom forbade his engaging in any sort of handicraft, as at Sparta. In some countries, especially Arcadia, the old-world plan of every man tilling his field with his own hand remained in force to the latest times; and even eminent statesmen like Philopoemen would not give it up. Four kinds of grain were chiefly grown: wheat, barley, and two kinds of spelt, to all of which the climate allowed two sowings in the year, beside millet, sesame, various leguminous plants, and several sorts of herbage for fodder. With no less diligence was Greek husbandry applied to gardening, especially to the cultivation of the vine. This, while steadily pursued on the mainland, was developed to an extraordinary extent in the islands, most of which, owing to their mountainous character, did not afford their inhabitants sufficient arable soil. In olive-culture no part of Greece competed with Attica, which also produced the best figs, the fruit most widely cultivated. Kitchen-gardening was practised on the largest scale in Boeotia. Considering the enormous consumption of flowers in wreaths, the rearing of them, especially of the rose, lily, narcissus, and violet, must have been a lucrative business, at least in the neighbourhood of great towns. Meadow-farming was of next to no importance, few districts having a soil adapted for it, and such meadows as there were being used for pasture rather than haymaking.
MARS 9.85%
With Jupiter the principal deity of the inhabitants of Italy, and therefore honoured with particular reverence by the Latins and Romans from the very earliest times, especially as the latter regarded him as the father of Romulus, the founder of Rome. He was held to be the son of Juno, who bore him in consequence of touching a wonderful spring-flower, and the husband of Nerio or Nerlene, a goddess of strength. Through the emphasising of one of his attributes he gradually came to be considered as, above all, the god of war; for originally he is at the same time one of the mightiest gods of nature, who accords fertility and protection to fields and herds. The first month of the old Roman year was dedicated to him as the fertilizing god of spring; in the very ancient chant of the Arval brothers (q.v.), at the May-day festival of the Dea Dia, the help and protection of Mars were demanded. In earlier times he was also invoked at the hallowing of the fields (See AMBARVALIA), that he might bless the family, the field and the cattle, and keep off sickness, bad weather, and all else that did harm. (Cp. ROBIGUS.) In later times the names of Ceres and Bacchus were substituted for his on this particular occasion. At the festival on 15th October (see below) a horse was sacrificed to him to insure the fair growth of the seed that had been sown. As god of war he had the special name Gradixus, the strider, from the rapid march in battle 1 (Cp. QUIRINUS), and his symbols were the ravenous wolf, the prophetic and warlike woodpecker, and the lance. When war broke out, the general solemnly invoked his aid, by smiting his holy lance and the holy shields (ancilia -see ANCILE) with the cry, Mars, awake! (Mars vigila!) Many sacrifices were also offered to him during the campaign and before battle; and in his name military honours were conferred. The Field of Mars (Campus Martius) was dedicated to him as the patron god of warlike exercises; contests with battle-steeds, called Equirria, were there held in his honour on the 27th February, 14th March, and 15th October. On the last-mentioned day the horse on the right of the victorious team was sacrificed on his altar in the Field of Mars; it was known as the horse of October (October equus), and its blood was collected and preserved in the temple of Vesta, and used at the Palilia for purposes of purification. The cult of Mars was entrusted to a special priest, the flamen Martialis (see FLAMEN), and the college of the Salii (q.v.), which worshipped him more particularly as god of war. His principal festival was in March, the month sacred to him. As early as the time of king Tullus Hostilius, Pavor and Pallor, Fear and Pallor, are said to have been worshipped as his companions in the fight, in sanctuaries of their own. Augustus caused him to be honoured in a new form, as Mars Ultor (avenger of Caesar), in the magnificent temple in the Forum Augusti, consecrated B.C. 2, where statues of him and of Venus, as the two divine ancestors of the Julian family, were set up. In later times he was identified completely with the Greek Ares (q.v.).
sometimes Dionysus (Greek). The god of luxuriant fertility, especially as displayed by the vine; and therefore the god of wine. His native place, according to the usual tradition, was Thebes, where he was born to Zeus by Semele, the daughter of Cadmus. Semele was destroyed by the lightning of her lover, and the child was born after six months. Zeus accordingly sewed it up in his thigh till ripe for birth and then gave it over to Ino, the daughter of Semele. (See ATHAMAS.) After her death Hermes took the boy to the nymphs of Mount Nysa, or according to another version, to the Hyades of Dodona, who brought him up, and hid him in a cave away from the anger of Hera. It cannot be ascertained where Mount Nysa was originally supposed to be. In later times the name was transferred to many places where the vine was cultivated, not only in Greece, but in Asia, India, and Africa. When grown up, Dionysus is represented as planting the vine, and wandering through the wide world to spread his worship among men, with his wine-flushed train (thiasos), his nurses and other nymphs, Satyrs, Sileni, and similar woodland deities. Whoever welcomes him kindly, like Icarius in Attica, and CEneus in Aetolia, receives the gift of wine; but those who resist him are terribly punished. For with all his appearance of youth and softness, he is a mighty and irresistible god, strong to work wonders. A whole series of fables is apparently based upon the tradition that in many places, where a serious religious ritual existed, the dissolute worship of Dionysus met with a vigorous resistance. (See LYCURGUS, MINYADAe, PENTHEUS, PRCETUS.) This worship soon passed from the continent of Greece to the wine-growing islands, and flourished pre-eminently at Naxos. Here it was, according to the story, that the god wedded Ariadne. In the islands a fable was current that he fell in with some Tyrrhenian pirates who took him to their ship and put him in chains. But his fetters fell off, the sails and the mast were wreathed in vine and ivy, the god was changed into a lion, while the seamen throw themselves madly into the sea and were turned into dolphins. In forms akin to this the worship of Dionysus passed into Egypt and far into Asia. Hence arose a fable founded on the story of Alexander's campaigns, that the god passed victoriously through Egypt, Syria, and India as far as the Ganges, with his army of Sileni, Satyrs, and inspired women, the Maenades or Bacchantes, carrying their wands (thyrsi) crowned with vines and ivy. Having thus constrained all the world to the recognition of his deity, and having, with Heracles, assisted the gods, in the form of a lion, to victory in their war with the Giants, he was taken to Olympus, where, in Homer, he does not appear. From Olympus be descends to the lower world, whence he brings his mother, who is worshipped with him under the name of Thyone (the wild one), as Leto was with Apollo and Artemis. From his mother he is called Thyoneus, a name which, with others of similar meaning, such as Bacchus, Bromios, Evios, and Iacchos, points to a worship founded upon a different conception of his nature. In the myth with which we have been hitherto concerned, the god appears mainly in the character and surroundings of joy and triumph. But, as the god of the earth, Dionysus belongs, like Persophone, to the world below as well as to the world above. The death of vegetation in winter was represented as the flight of the god into hiding from the sentence of his enemies, or even as his extinction, but he returned again from obscurity, or rose from the dead, to new life and activity. In this conexion he was called Zagreus ("Torn in pieces") and represented as a son of Zeus and his daughter Persephone, or sometimes of Zeus and Demeter. In his childhood he was torn to pieces by the Titans, at the command of the jealous Hera. But every third year, after spending the interval in the lower world, he is born anew. According to the Orphic story, Athene brought her son's heart to Zeus, who gave it to Semele, or swallowed it himself, whereupon the Theban or younger Dionysus was born. The grave of Dionysus was shown at Delphi in the inmost shrine of the temple of Apollo. Secret offerings were brought thither, while the women who were celebrating the feast woke up Licnites; in other words, invoked the new-born god cradled in a winnowing fan, on the neighbouring mountain of Parnassus. Festivals of this kind, in celebration of the extinction and resurrection of the deity, were held by women and girls only, amid the mountains at night, every third year, about the time of the shortest day. The rites, intended to express the excess of grief and joy at the death and reappearance of the god, were wild even to savagery, and the women who performed them were hence known by the expressive names of Bacchae, Maenads, and Thyiades. They wandered through woods and mountains, their flying locks crowned with ivy or snakes, brandishing wands and torches, to the hollow sounds of the drum, and the shrill notes of the flute, with wild dances, and insane cries and jubilation. The victims of the sacrifice, oxen, goats, even fawns and roes from the forest, were killed, torn in pieces and eaten raw, in imitation of the treatment of Zagreus by the Titans. Thrace, and Macedonia, and Asiatic Greece were the scene of the wildest orgies; indeed Thrace seems to be the country of their birth. In Asiatic Greece, it should be added, the worship of Dionysus-Zagreus came to be associated with the equally wild rites of Rhea (Cybele), and Atys, and Sabus or Sabazius. (See SABAZIUS.) In Greece Proper the chief seats of these were Parnassus, with Delphi and its neighbourhood, Baeotia, Argos, and Laconia, and in Baeotia and Laconia especially the mountains Chitaeron and Taygetus. They were also known in Naxos, Crete, and other islands. They seem to have been unknown in Attica, though Dionysus was worshipped at the Eleusinian mysteries with Persephone and Demeter, under the name of Iacchos, as brother or bridegroom of Persephone. But the Attic cycle of national festivals in honour of Dionysus represents the idea of the ancient and simple Hellenic worship, with its merry usages. Here Dionysus is the god who gives increase and luxuriance to vineyard and tree. For he is a kindly and gentle power, terrible only to his enemies, and born for joy and blessing to mankind. His gifts bring strength and healing to the body, gladness and forgetfulness of care to the mind, whence he was called Lyaeos, or the loosener of care, They are ennobling in their effects, for they require tending, and thus keep men employed in diligent labour; they bring them together in merry meetings, and inspire them to music and poetry. Thus it is to the worship of Dionysus that the dithyramb and the drama owe their origin and development. In this way Dionysus is closely related, not only to Demeter, Aphrodite, Eros, the Graces and the Muses, but to Apollo, because he inspires men to prophesy. The most ancient representation of Dionysus consists of wooden images with the phallus, as the symbol of generative power. In works of art he is sometimes represented as the ancient Indian Dionysus, the conqueror of the East. In this character he appears, as in the Vatican statue called Sardanapalus, of high stature, with a luxuriant wealth of hair on head and chin (comp. fig. 1). Sometimes again, as in numerous statues which have survived, he is a youth of soft and feminine shape, with a dreamy expression, his long, clustering hair confined by a fillet or crown of vine or ivy, generally naked, or with a fawn or panther skin thrown lightly over him. He is either reposing or leaning idly back with the Thyrsos, grapes, or a cup in his hand (fig. 2). Often, too, he is surrounded by the fauns of his retinue, Maenads, Satyrs, Sileni, Centaurs, etc., or by Nymphs, Muses, Cupids, indeed in the greatest possible number and variety of situations. (See the engravings.) Besides the vine, ivy, and rose, the panther, lion, lynx, ox, goat, and dolphin were sacred to him. His usual sacrifices were the ox and the goat. In Italy the indigenous god Liber, with a feminine Libera at his side, corresponded to the Greek god of wine. Just as the Italian Ceres was identified with Demeter, so these two deities were identified with Dionysus, or Iakchos, and Persephone, with whom they were worshipped under their native name, but with Greek rites, in a temple on the Aventine. (See CERES.) Liber or Bacchus, like Dionysus, had a country and an urban festival. The country festivities were held, with unrestrained merriment, at the time of grape-gathering and straining off the wine. The urban festival held in Rome on the 17th March, was called Liberalla. Old women, crowned with ivy, sold cheap cakes (liba) of meal, honey, and oil, and burnt them on little pans for the purchasers. The boys took their toga virilis or toga libera on this day, and offered sacrifice on the Capitol. Side by side with this public celebration, a secret worship, the Bacchanalia, found its way to Rome and into the whole of Italy. The Bacchanatia were celebrated by men and women, in Italy outside the cities, in Rome in the sacred enclosure of Stimula or Semele. They were accompanied with such shameless excesses that in 186 B.C. they were put down, with unsparing severity, by a decree of the senate.
Daughter of Cronus and Rhea. Her name signifies Mother Earth, the meaning being that she was goddess of agriculture and the civilization based upon it. Her children are, by Iasion, a son Plutus, the god of riches, and by her brother Zeus, a daughter Persephone. Round Demeter and this daughter centre her worship and the fables respecting her. Hfid6s carries off Persephone, and Demeter wanders nine days over the earth seeking her, till on the tenth day she learns the trutb from the all-seeing sun. She is wrath with Zeus for permitting the act of violence, and she visits Olympus and wanders about among men in the form of an old woman under the name of Deo or the Seeker, till at length, at Elensis, in Attica, she is kindly received at the house of king Celeus, and finds comfort in tend ing his newly born son Demophoon. Surprised by his mother in the act of trying to make the child immortal by putting it in the fire, she reveals her deity, and causes a temple to he built to her, in which she gives herself up to her grief. In her wrath she makes the earth barren, so that man kind are threatened with destruction by famine, as she does not allow the fruit of the earth to spring up again until her daughter is allowed to spend two-thirds of the year with her. On her return to Olympus she leaves the gift of corn, of agriculture, and of her holy mysteries with her host, as a token of grateful recollection. She sends Triptolemus the Eleusinian round the world on her chariot, drawn by serpents, to diffuse the knowledge of agriculture and other blessings accompanying it, the settlement of fixed places of abode, civil order, and wedlock. Thus Demeter was worshipped as the goddess of agriculture and foundress of law, order, and especially of marriage, in all places where Greeks dwelt, her daughter being usually associated with her. (See THESMOPHORIA.) The most ancient seat of her worship was Athens and Eleusis, where the Rharian plain was solemnly ploughed every year in memory of the first sowing of wheat. She was also much worshipped in Sicily, which from its fertility was accounted one of her favourite places of abode (see ELEUSINIA). As the goddess of fertility, Demeter was in many regions associated with Poseidon, the god of fertilizing water. This was particularly the case in Arcadia, where Poseidon was regarded as the father of Persephone. She was also joined with Dionysus, the god of wine, and, as mother of Persephone and goddess of the earth, to which not only the seed, but the dead are committed, she is connected with the lower world under the name of Chthonia. In later times she was often confused with Gaia and Rhea, or Cybele. Besides fruit and honeycombs, the cow and the sow were offered to her, both as emblems of productivity. Her attributes are poppies and ears of corn (also a symbol of fruitfulness), a basket of fruit and a little pig. Other emblems had a mystic significance, as the torch and the serpent, as living in the earth, and as symbolizing a renewal of life by shedding its skin. The Romans identified her with their own Ceres.
The name given in antiquity to inspired prophetesses of some deity, in particular Apollo. They were usually regarded as young maidens dwelling in lonely caves or by inspiring springs, who were possessed with a spirit of divination, and gave forth prophetic utterances while under the influence of enthusiastic frenzy. They were described sometimes as priestesses of Apollo, sometimes as his favourite wives or daughters. We have no certain information as to their number, names, country, or date. Though Plato [Phoedrus, 294 B] knew of only one, others mention two, three, four [the Erythroean, the Samian, the Egyptian, and the Sardian], and even ten or twelve: [the Babylonian, the Libyan, the (elder and younger) Delphian, the Cimmerian, the (elder and younger) Erythroean, the Samian, the Cumoean, the Hellespontine, the Phrygian, and the Tiburtine]. In the earliest times they are mentioned as dwelling in the neighbourhood of the Trojan Ida in Asia Minor, later at Erythrae in Ionia, in Samos, at Delphi, and at Cumae in Italy. The most famous was the Erythraean Sibyl, Herophile, who is usually considered identical with the Cumaean, as she is represented as journeying by manifold wanderings from her home to Cumae. Here she is said to have lived for many generations in the crypts beneath the temple of Apollo, where she had even prophesied to Aeneas. In later times the designation of Sibyl was also given to the prophetic Nymph Albanca near Tibur [Lactantius, i 6 Section § 12]. The Sibylline books, so often met with in Roman history, had their origin in a collection of oracular utterances in Greek hexameters, composed in the time of Solon and Cyrus at Gergis on Mount Ida, and ascribed to the Hellespontic Sibyl, buried in the temple of Apollo at Gergis. This collection was brought by way of Erythrae to Cumaean, and finally, in the time of the last king, to Rome. According to the legend, the Cumaean Sibyl offered to Tarquinius Superbus nine books of prophecy; and as the king declined to purchase them owing to the exorbitant ice she demanded, burnt all but three of them, which the king purchased for the original price, and had them preserved in a vault beneath the Capitoline temple of Jupiter. When they were destroyed in the burning of the Capitol in 83 B.C., the Senate sent envoys to make a collection of similar oracular sayings distributed over various places, in particular Ilium, Erythae, and Samos. This new collection was deposited in the restored temple, together with similar sayings of native origin; e.g. those of the Sibyl at Tibur, of the brothers Marcius, and others. From the Capitol they were transferred by Augustus as pontifex, in 12 B.C., to the temple of Apollo on the Palatine, after they had been examined and copied; here they remained until about 405 A.D. They are said to have been burnt by Stilicho. The use of these oracles was from the outset reserved for the State, and they were not consulted for the foretelling of future events, but on the occasion of remarkable calamities, such as pestilence, earthquake, and as a means of expiating portents. It was only the rites of expiation prescribed by the Sibylline books that were communicated to the public, and not the oracles themselves. As these books recognised the gods worshipped, and the rites observed, in the neighbourhood of Troy, they were the principal cause of the introduction of a series of foreign deities and religious rites into the Roman State worship, of the amalgamation of national deities with the corresponding deities of Greece, and a general modification of the Roman religion after the Greek type. Tarquinius is said to have entrusted the care of the books to a special college of two men of patrician ramk. After 367 B.C. their number was increased to ten, half patrician and half plebeians; and in the 1st century B.C., probably in the time of Sulla, five more were added. These officials were entitled respectively duumviri, decemviri, and quindecimviri sacris faciundis. They were usually ex-consuls or ex-praetors. They held office for life, and were exempt from all other public duties. They bad the responsibility of keeping the books in safety and secrecy, of consulting them at the order of the Senate, of interpreting the utterances they found therein, and of causing the measures thus enjoined to be carried out; in particular, they had the superintendence of the worship of Apollo, the Magna Mater, and Ceres, which had been introduced by the Sibylline books. These Sibylline books have no connexion with a collection of Sibylline Oracles in twelve books, written in Greek hexameters, which have come down to us. The latter contain a medley of pretended prophecies by various authors and of very various dates, from the middle of the 2nd century B.C. to the 6th Century A.D. They were composed partly by Alexandrine Jews, partly by Christians, in the interests of their respective religions; and in part they refer to events of the later Empire.
In the Italian mythology, the highest god in heaven, corresponding to the Greek Zeus (q.v.), with whom he was identical, not only in his nature, but also in his name. For Jupiter is compounded of Iovis (an older form is Diovis) and pater; Zeus stands for Dieus (Indian Diaus- "the bright heaven"). As in course of time the Italian god became identified with the Greek, he was regarded as a son of Saturn and of Ops, the deities deemed to correspond to the Greek Uranus and Rhea respectively. From Jupiter comes all that appears in the heavens. As Lucetius (from lux, "light") he is the bringer of light, the cause of the dawn of day, as well as of the full moon at night. Just as the calends (1st) of each month are sacred to Juno, so the ides (13th or 15th), which are full-moon days, are sacred to Jupiter. On these his special priest, the flamen dialis, offers him the Idulia, a sacrifice of a white lamb. While he watches over fair weather, he also controls all other weather; as Fulgurator and Fulminator ("flasher of lightning") and as Tonans or Tonitrualis ("thunderer") he brings down those fearful storms which were familiar to Rome; as Pluvius he sends a fertilizing rain. Any place, or thing, struck by lightning was supposed to be sacred to Jupiter as having been taken possession of by him, and thus it needed a particular dedication. (See PUTEAL.) As the god of rain, there was instituted in his honour at Rome a festival of supplication, called aquoelicium. In this the pontifices brought into Rome from the temple of Mars outside the Porta Capena a cylindrical stone called the lapis manalis (rain-stone), while the matrons followed the procession with bare feet, as did also the magistrates, unaccompanied by their insignia. In the same character he was appealed to by the country-folk, before sowing time and in the spring and autumn, when a sacrificial feast was offered to him. He and Juno were worshipped before the commencement of the harvest, even before any sacrifice to Ceres. Throughout all Latium, the feast of the Vinalia (q.v.) was celebrated in his honour as the giver of wine; and at the commencement of the vintage season he was offered a lamb by the flamen Dialis. He was honoured in all Italy, after Mars, as the decider of battles and giver of victory; this was specially the case at Rome, where, as early as the days of Romulus, shrines were founded to him as Stator ("he who stays flight ") and Feretrius (to whom the spoils taken by a Roman general in the field from a hostile general were offered. See SPOLIA). He watches over justice and truth, and is therefore the most ancient and most important god of oaths; he was specially called on by the fetiales (q.v.) as a witness at the ceremonies connected with treaties of peace. Not only the law of nations, but also the law of hospitality, is under his special protection, and while he causes his blessing to fall on the whole country, he is also the god of good fortune and blessing to the family. His gracious power does not confine itself to the present alone; by means of signs comprehensible to experts, he reveals the future (see AUSPICIA) and shows his approval or disapproval of a contemplated undertaking. He was worshipped of old on the Alban Hill, by the Latin people, as their ancestral god, under the name of Iuppiter Latiaris (or Latialis); at the formation of the Latin league he was honoured as the god of the league by a sacrificial feast, which they all held in common; even after its dissolution the sacrifice was continued under the superintendence of the consuls. (See FERIAe.) The chief seat of his worship in Rome was the Capitol, where he was honoured as the ideal head of the State, as the Increaser and Preserver of Roman might and power, under the name of Iuppiter Optimus Maximus ("Best and Greatest"). It was there that his earthenware image was enthroned, with the thunderbolt in its right hand. It stood in the centre of the temple begun by Tarquinius Superbus, the last of the kings, and finished and dedicated in the first year of the Republic. In the pediment of the temple was the quadriga, the attribute of the god of thunder, while the chambers to the left and right were dedicated to Juno and to Minerva respectively. Here the consuls, at their entry into office and their departure to war, made their solemn vows; hither came the triumphal procession of the victor, who was clad in the festal garb of the god, and who, before offering to Jupiter the customary thank-offering of white oxen, prayed to his image and placed in his lap the laurel-wreath of victory bound about the fasces. Hither poured in, to adorn the temple and to fill its treasures, countless multitudes of costly votive offerings from the State, from generals and private citizens, and from foreign kings and nations. When, after its existence for 400 years, the ancient temple was destroyed by fire in B.C. 83, it was rebuilt on its original plan but with increased magnificence (B.C. 78). The image of the god was a copy in gold and ivory of the Olympian Zeus (q.v.). The temple was burnt down again A.D. 70, and Vespasian had scarcely restored it when a fresh fire burnt it down A.D. 80, whereupon Domitian in A.D. 82 erected the temple which continued to stand as late as the 9th century. As was natural for the most exalted god of the Roman State, he had the most splendid festivals in his honour. Amongst the greatest of these were the ludi Romani, the ludi magni, and the ludi plebeii. (See GAMES.) Under the Empire the Capitoline Jupiter was recognised as the loftiest representative of the Roman name and State, whose vicegerent on earth was the emperor. As his worship gradually spread over the whole empire, he finally became the representative of the pagan world in general. He was often identified with the native gods of the provinces, including the sun-god of Heliopolis and Doliche in Syria, who, from the 2nd and 3rd centuries A.D., Was worshipped far and wide under the name of Iuppiter Heliopolitanus and Dolichenus. Antoninus built for the former the magnificent temple of Heliopolis, or Baalbec. He was similarly identified with various Celtic and German gods, especially those who were worshipped on Alpine mountain-tops as protectors of travellers. As an example of the latter we have Iuppiter Optimus Maximus Poeninus, whose seat was on the Great St. Bernard.
WINE 5.77%
From the very earliest times wine was the daily beverage of the Greeks, and was made in every Greek country. The best was produced on the coasts and islands of the Egean, such as Thasos, Rhodes, Cyprus, and, above all, Chios and Lesbos. The cultivation of the vine was common in Lower Italy before its colonization by the Greeks, and the Romans had vineyards in very early times. Wine was however long regarded as an article of luxury, and was limited in its use. The regular production of wine (the method of which was imported from Greece, together with the finer varieties of vines) first came in with the decline of the cultivation of cereals. The home-grown wines were of little esteem, as compared with the Greek, and especially the highly prized island wines, until the 1st century B.C. After this date the careful treatment of a number of Italian, and more particularly of Campanian brands (such as the Falernian, Caecuban, and Massie), procured for them the reputation of being the first wines of the world. They formed an important article of export, not merely to the collective provinces of the Roman empire, Greece herself not excepted, but also beyond the Roman frontier. It was to the advantage of Italy that, in the western provinces, down to the 3rd century A.D., the cultivation of the vine was subject to certain limitations. No new vineyards could be added to those already existing, and the Italian vines could not be introduced, although Gaul produced many varieties of wine. Under the Empire wine was the main article of produce and of trade in Italy, Greece, and Asia, and the wine merchants of Rome, who had, from the commencement of the 2nd century, formed two corporations, one for the eastern and another for the western trade, held an important position. In the 1st century there were already eighty famous brands in the Roman trade. Of this number Italy supplied two-thirds. The vine was grown partly on poles or espaliers, partly on trees, especially on elms, which, if the ground between were still used for agriculture, were planted at a, distance of 40, sometimes of 20, feet apart. The grapes intended for manufacture into wine were trodden with naked feet and then brought under the press. The must was then immediately poured into large pitched earthenware jars (Gr. pithos, Lat. dolium; see VESSELS). These were placed under ground in a wine-cellar, facing the north to keep them cool, and kept uncovered for a year in order to ferment thoroughly. The inferior wines which were of no great age were drunk immediately from the jar [de dolio haurire; Cicero, Brutus 228]. The better kinds, which were meant for preservation, were poured into amphorae. These were closed with stone stoppers, sealed with pitch, clay, or gypsum, marked with a brand, furnished with a label giving their year and measure (tessera or nota), and placed in the apotheca. This was a room in the upper story, built by preference over the bath-room in order to catch the smoke from the furnace, and thus to make the wine more mellow. One method of improving the wine which was used in the East and in Greece was to keep the wine in goat-skins, because the leather tended to cause evaporation of the water. In Italy the wine-skins appear to have been only used in transport. To produce flavour, strength, and bouquet, various means were employed, such as adding gypsum, clay, chalk, marble, resin, pitch, and even sea water, the last being especially in use in Greece and Asia Minor. Bad wines were improved by being mixed with fine brands and good lees; adulteration was extremely common. The number of artificial wines was very large; e.g. honey wine, raisin wine, and boiled must (the beverage of the common people and slaves),a poor drink prepared by pouring water on the remains of the pressed grapes. The place of our liqueurs was taken by flavoured wines, of which more than fifty kinds are mentioned. These were simply extracted from herbs, flowers, or sweet smelling woods (thyme, myrtle, sweet rush, rose, hearts-ease, pine-cones and pine-wood, cypress, etc.), or mixed with oils, such as nard or myrrh. There were also wines made from fruits such as apples, pomegranates, pears, dates, figs, or mulberries. In respect of colour three sorts of wine were distinguished: the black or dark red (color sanguineus and niger) which was considered the strongest; the white (albus), which was thought thin and weak; and the brown or amber-coloured (fulvus), which was considered particularly serviceable for promoting digestion. As in its ordinary treatment the wine often retained much sediment, it had to be made clear before it was drunk. This was done either with yolk of eggs or by straining the wine through a cloth or sieve, which was filled with snow to make it cool. Greeks and Romans alike generally drank their wine mixed with water. (Cp. MEALS.)
GAMES 4.59%
(1) Public. Among the Romans public games were intimately connected with religious worship. (For the public games of the Greeks, see ISTHMIAN, NEMEAN, OLYMPIAN, PYTHIAN GAMES.) The Roman ludi, originally races, appear first in the worship of Mars and Consus, the tutelary deities of horses and mules. But it was also a very ancient custom to celebrate ludi votivi, or games vowed on special occasions, particularly in time of war. Such games were usually vowed to Jupiter, the greatest deity of the Romans. These exceptional celebrations were so often repeated that they at length passed into regular annual festivals (ludi stati). The number of these games gradually increased, and so did their duration. At the end of the republican period there were seven sets of games, which occupied 65 days; in the middle of the 2nd century A.D. 135 days were given up to them, and in 354 A.D. as many as 176. In old times the games only lasted part of the day; but they gradually began to take up the whole day from early morning onwards. At a later period they went on in many cases into the night, requiring artificial illumination. The Roman ritual was very strict, and it happened pretty often that in consequence of some accidental interruption or trivial oversight, an instauratio or repetition of the spoiled day, if not of the whole festival, would be ordered, lest the gods should have any cause for anger. The different collegia of the priests were responsible for superintending the games, prescribed in honour of their respective divinities. But in the case of festivities vowed by the State, this duty fell to the high magistrates; at first to the consuls, afterwards (and almost exclusively) to the aediles, and after Augustus to the praetors. The expenses were provided for by a certain sum of money paid over from the public treasury to the giver of italics>the games. For the Ludi Romani, the greatest of all the festivals, this sum amounted, during the period preceding the Punic wars, to about £1,800. After this period it reached some £3,000, and by 51 A.D. had risen to £8,750. At the same time the givers of the games had to make larger supplementary contributious. The demands of the public were so extravagant that in course of time the amount of this private expenditure increased enormously, especially in the last century B.C. Augustus, indeed, tried to check it; but he was obliged to allow his praetors to spend three times as much on the games as was paid for the public treasury. Under the Empire many enactments were issued to restrict the expenditure on the games by law, but no permanent effect was produced. Even after the 4th century A.D. the expense rose to as large a sum as from £50,000 to £150,000. The oldest games were those of the circus, consisting mainly of horse-races and chariot-races, with gymnastic contests, to which others were added in course of time. (See CIRCUS.) After 364 B.C. dramatic representations were introduced from Etruria. These were in 240 B.C., and onwards, exchanged for regular theatrical performances (See LIVIUS ANDRONIOUS). Contests of gladiators, also from Etruria, were fashionable after 264 B.C. But these were only exhibited, during the republican period, at funeral games, private and other entertainments (see GLADIATORES). The following regular festivities were introduced in the republican period, and continued in existence until the latest times: (1) The Ludi Romani. These were the oldest games of all, and were, in strictness, celebrated in honour of Jupiter by victorious generals at their triumphs; hence it was that they included, as a special feature, a procession (pompa) from the Capitol to the Circus; a part of the performance which seems afterwards to have been embodied in the other games of the circus. Originally they lasted only one day; but in course of time they absorbed more and more time, till in the Ciceronian age they went on for fifteen (September 4-19). After the death of Caesar another day was added in his honour. After the introduction of theatrical performances, several days were taken up with them. The curule aediles were, in the republican period, responsible for the management. (2) Ludi plebei. These originally lasted one day, but afterwards fourteen, November 4-17. They were given in the Circus Flaminius under the direction of the plebeian aediles, and early included dramatic entertainments. (3) Ludi Cereales, given under the direction of the plebeian aediles in honour of Ceres, the tutelary goddess of the plebs. The date was originally April 19, afterwards April 12-19. (4) Ludi Apollinares, or in honour of Apollo. These were introduced during the Second Punic War, and celebrated originally on July 13, continuing afterwards from July 6-13. On the last day only were there any performances in the circus; the rest of the festival was given up to the drama. These were the only games for which, in the republican period, the praetor was responsible. (5) Ludi Megalenses, in honour of the Magna Mater, introduced 204 B.C. and held at first on April 4, afterwards from April 4-10. (See RHEA .) They included performances both in the theatre and in the circus. They were under the management of the curule aediles, and the same remark applies to (6) the Ludi Florales, from April 28 to May 3. (See FLORA.) During the imperial period the number of permanent festivals was largely increased. The birthday of Augustus, for instance (September 23), was regularly celebrated with ludi circenses, and the ludi Augustales (October 3-12) were instituted in honour of his memory. Side by side with the public games, private performances were often given by societies, families, and individuals on special occasions, such as those of births, marriages, or funerals. Sometimes the object would be merely to please the public: sometimes to raise money. The giver of the entertainment had, like the superintendent of the public games, the privilege of lictors and the toga proetexta. Charges for admission were made or not according to the occasion. But the admission to the public games was free, it being always understood that special seats were reserved for the magistrates, priests, senators, equites, and particular families and individuals. (See AMPHITHEATRE, CIRCUS, GLADIATORES, SEA-FIGHTS, THEATRE, WILD BEASTS.) Of social games the ancients, and especially the Greeks, had plenty. The cottabus, so popular at Greek banquets, the games of ball, of which both Greeks and Romans were fond, and the games with dice, are described in separate articles. A game of draughts (petteia) appears as early as Homer, and was said to have been the invention of Palamedes. But we have no knowledge of its nature and rules, and have very scanty information about the similar games played in later times. The "game of cities" seems to have resembled our chess or draughts. The board was divided into spaces, and movements made upon it with stones; the object being to get your opponent into check. The Romans had several games of the sort, among which the ludus latrunculorum, or game at soldiers, is to a certain extent known. This was a game of siege. The men (calculi) were divided into privates (mandroe) and officers (latrones), and the object was to take or to get your adversary's stones in check. In the ludus duodecim scriptorum, or game of 12 lines, dice were used. The dice-board was divided into 24 spaces by 12 parallel lines intersected by a line at right angles. Each side had 15 men, one set being black and the other white. Before each move the dice were thrown, and the move determined by the number which turned up. A very favourite game was Odd and Even (Gk. artiasmos, Lat. ludere par impar). You held out so many fingers, and put so many coins, pebbles, or nuts in your hand, and made your adversary guess whether the number was odd or even. The Roman children, and indeed their elders, were very fond of various games with nuts.
among the ancients, formed the chief part of every religious act. According to the kind of sacrifice offered, they were divided into (a) bloodless offerings and (b) blood offerings. (a) The former consisted in firstfruits, viands, and cakes of various shape and make, which were some of them burned and some of them laid on the altars and sacrificial tables (See figs. 1 and 2) and removed after a time, libations of wine, milk, water with honey or milk, and frankincense, for which in early times native products (wood and the berries of cedars, junipers, and bay trees, etc.) were used. Asiatic spices, such as incense and myrrh, scarcely came into use before the seventh century in Greece or until towards the end of the Republic at Rome. (b) For blood-offerings cattle, goats, sheep, and swine were used by preference. Other animals were only employed in special cults. Thus horses were offered in certain Greek regions to Poseidon and Helios, and at Rome on the occasion of the October feast to Mars; dogs to Hecate and Robigus, asses to Priapus, cocks to Asclepius, and geese to Isis. Sheep and cattle, it appears, could be offered to any gods among the Greeks. As regards swine and goats, the regulations varied according to the different regions. Swine were sacrificed especially to Demeter and Dionysus, goats to the last named divinity and to Apollo and Aromis as well as Aphrodite, while they were excluded from the service of Athene, and it was only at Sparta that they were presented to Hera. At Epidaurus they might not be sacrificed to Asclepius, though elsewhere this was done without scruple. [Part of the spoils of the chase-such as the antlers or fell of the stag, or the head and feet of the boar or the bear--was offered to Artemis Agrotera (See fig. 3).] As regards the sex and colour of the victims, the Romans agreed in general with the Greeks in following the rule of sacrificing male creatures to gods, female to goddesses, and those of dark hue to the infernal powers. At Rome, however, there were special regulations respecting the victims appropriate to the different divinities. Thus the appropriate offering for Jupiter was a young steer of a white colour, or at least with a white spot on its forehead; for Mars, in the case of expiatory sacrifices, two bucks or a steer; the latter also for Neptune and Apollo; for Vulcan, a red calf and a boar; for Liber and Mercury, a he-goat; for Juno, Minerva, and Diana, a heifer; for Juno, as Lucina, an ewe lamb or (as also for Ceres and the Bona Dea) a sow; for Tellus, a pregnant, and for Proserpine a barren, heifer; and so on. The regulations as regards the condition of the victims were not the same everywhere in Greece. Still in general with them, as invariably with the Romans, the rule held good, that only beasts which were without blemish, and had not yet been used for labour, should be employed. Similarly, there were definite rules, which were, however, not the same everywhere, concerning the age of the victims. Thus, by Athenian law, lambs could not be offered at all before their first shearing, and sheep only when they had borne lambs. The Romans distinguished victims by their ages as lactantes, sucklings, and maiores, full grown. The sacrifice of sucklings was subject to certain limitations: young pigs had to be five days old, lambs seven, and calves thirty. Animals were reckoned maiores if they were bidentes; i.e. if their upper and lower rows of teeth were complete. There were exact requirements for all cases as regards their sex and condition, and to transgress these was an offence that demanded expiation. If the victims could not be obtained as the regulations required, the pontifical law allowed their place to be taken by a representation in wax or dough, or by a different animal in substitution for the sort required. In many cults different creatures were combined for sacrifice: e.g. a bull, a sheep, and a pig (Cp. SUOVETAURILIA), or a pig, a buck, and a ram, and the like. In State sacrifices, victims were sometimes sacrificed in great numbers; e.g. at the Athenian festival in commemoration of the victory at Marathon, 500 goats were slain. (Cp. HECATOMBE.) Human sacrifices as a means of expiation were not unknown to the earliest Greek and Roman worship, and continued in certain cases (e.g. at the feast of the Lyman Zeus and of Jupiter Latiaris) until the imperial period; however, where they continued to exist, criminals who were in any case doomed to death were selected, and in many places opportunity was further given them for escape. In general, it was considered that purity in soul and body was an indispensable requirement for a sacrifice that was to be acceptable to a divinity. Accordingly the offerer washed at least his hands and feet, and appeared in clean (for the most part, white) robes. One who had incurred blood-guiltiness could not offer sacrifice at all; he who had polluted himself by touching anything unclean, particularly a corpse, needed special purification by fumigation. Precautions were also taken to insure the withdrawal of all persons who might be otherwise unpleasing to the divinity; from many sacrifices women were excluded, from others men, from many slaves and freedmen. At Rome, in early times, all plebeians were excluded by the patricians. The victims were generally decked out with ribbons and wreaths, and sometimes the cattle had their horns gilded. If the creature voluntarily followed to the altar or even bowed its head, this was considered as a favourable sign; it was an unfavourable sign if it offered resistance or tried to escape. In that case, with the Romans, the object of the sacrifice was deemed to be frustrated. Among the Greeks those who took part in the sacrifice wore wreaths; a firebrand from the altar was dipped in water, and with the water thus consecrated they sprinkled themselves and the altar. They then strewed the head of the victim with baked barley-grains, and cast some hairs cut from its head into the sacrificial fire. After those present had been called upon to observe a devout silence, and avoid everything that might mar the solemnity of the occasion, the gods were invited, amidst the sound of flutes or hymns sung to the lyre and dancing, to accept the sacrifice propitiously. The hands of the worshippers were raised, or extended, or pointed downwards, according as the prayer was made to a god of heaven, of the sea, or of the lower world respectively. The victim was then felled to the ground with a mace or a hatchet, and its throat cut with the sacrificial knife. During this operation the animal's head was held up, if the sacrifice belonged to the upper gods, and bowed down if it belonged to those of the lower world or the dead. The blood caught from it was, in the former case, poured round the altar, in the latter, into a ditch. In the case just mentioned the sacrifice was entirely burned (and this was also the rule with animals which were not edible), and the ashes were poured into the ditch. In sacrifices to the gods of the upper world, only certain portions were burned to the gods, such as thigh-bones or chine-bones out off the victim, some of the entrails, or some pieces of flesh with a layer of fat, rolled round the whole, together with libations of wine and oil, frankincense, and sacrificial cakes. The remainder, after removing the god's portion, as it was called, for the priests engaged in the sacrifice, was either roasted at once for the sacrificial banquet and so consumed, or taken home. Festal sacrifices at the public expense were often combined with a public meal. Sacrifice was made to the gods of the upper air in the morning; to those of the lower world in the evening. Among the Romans, as among the Greeks, reverent silence prevailed during the sacrificial operations; in case a careless word should become an evil omen, and to prevent any disturbance by external surroundings, a flute-player played and the offerer of the sacrifice himself veiled his head during the rite. The prayer, formulated by the pontifices, and unintelligible to the priests themselves from its archaic language, was repeated by the votary after the priest, who read it from a written form, as any deviation from the exact words made the whole sacrifice of no avail. As a rule, the worshipper turned his face to the east, or, if the ceremony took place before the temple, to the image of the divinity, grasping the altar with his hands; and, when the prayer was ended, laid his hands on his lips, and turned himself from left to right (in many cults from right to left), or, again, walked round the altar and then seated himself. Then the victim, selected as being without blemish, was consecrated, the priest sprinkling salted grains of dried and pounded spelt (mola salsa) and pouring wine from a cup upon its head, and also in certain sacrifices cutting some of the hairs off its head, and finally making a stroke with his knife along the back of the creature, from its head to its tail. Cattle were killed with the mace, calves with the hammer, small animals with the knife, by the priest's attendants appointed for the purpose, to whom also the dissection of the victims was assigned. If the inspectors of sacrifice (see HARUSPEX) declared that the entrails (exta), cut out with the knife, were not normal, this was a sign that the offering was not pleasing to the divinity; and if it was a male animal which had been previously slaughtered, a female was now killed. If the entrails again proved unfavourable, the sacrifice was regarded as of no avail. On the other hand, in the case of prodigies, sacrifices were offered until favourable signs appeared. In other sin-offerings there was no inspection of entrails. Sin-offerings were either entirely burned or given to the priests. Otherwise the flesh was eaten by the offerers, and only the entrails, which were roasted on spits, or boiled, were offered up, together with particular portions of the meat, in the proper way, and placed in a dish upon the altar, after being sprinkled with mola salsa and wine. The slaughter of the victim took place in the morning, whilst the extawere offered at evening, the intervening time being taken up by the process of preparation.
Type: Standard
gutter splint
gutter splint
gutter splint