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OBSEQUENS 100.00%
A Latin author. (See LIVY, 2.)
 
FLORUS 33.31%
A Roman historian of the time of Hadrian, 117-138 A.D. He wrote, in two books, a history of the wars of Rome, from the time of the kings to the closing of the temple of Janus under Augustus (25 B.C.). In the title, as we have it, the book is called an excerpt from Livy (Epitome de Titi Livii bellorum omnium annorum DCC). But this is not an adequate description of it. Florus, it is true, has used Livy a great deal, though not exclusively, and the work is really a panegyric on the greatness of Rome. It is the production of a rhetorician, as is shown by the tasteless and inflated language, with its poetical echoes of Vergil and Horace, and its tendency to exaggeration. Numerous gross errors testify to the insufficiency of the writer's knowledge. Worthless as it is, the book was much read and quoted in the Middle Ages.
 
TALASSIO 24.48%
The Roman god of marriage, corresponding to the Greek Hymenaeus. He was one of the unknown gods, and was only invoked by the appellation Talasse in the refrain to the epithalamia sung when the bride was brought home. A later account makes him one of those who, with Romulus, were principally concerned in the rape of the Sabine women, and hence explains the proverbial use of his name at all marriages [Livy, i 9 § 12].
 
CURTIUS RUFUS 17.09%
A Roman historian, who probably lived and practised as a rhetorician about the middle of the 1st century A.D., and wrote a history of Alexander the Great, in ten books, in the reign of Claudius (A.D. 44-54). The first two books are lost, and the fifth mutilated at the end, the sixth at the beginning. He seems to aim more at rhetorical effect than at historical accuracy. In the use of his authorities he is uncritical, as he follows untrustworthy writers like Clitarchus, knowing them to be untrustworthy. His work contains many errors in geography and chronology, and his accounts of the battles show that he had no military knowledge. But he understands the art of interesting his readers by a pleasant narrative and lifelike drawing, and there, is a certain charm in the numerous speeches which he has inserted in his text, in spite of their strong rhetorical colouring. His language reminds us of Livy. It is curious that he is never mentioned in antiquity.
 
POMERIUM 16.97%
A name given by the Romans to the space, originally along the city-wall within and without, which was left vacant and reckoned holy. This space was marked off by stones, and in respect to the auspices formed the limit between city and country. [See Livy, i 44, and Cicero, De Natura Deorum ii 11, ed. J. B. Mayor.) The old Pomerium remained unchanged until the time of Sulla; after him it was again extended by Caesar, Augustus, Claudius, Nero, Vespasian and Titus, Hadrian, and probably also Trajan and Aurelian. An extension of the Pomerium was only admissible on the ground of an extensionof the legal boundaries of the Empire. [Tacitus, Ann. xii 23.]
 
POMPELUS TROGUS 16.35%
A contemporary of Livy, author of the first Roman general history. He was of Gaulish origin; his grandfather received the Roman citizenship from Pompeius in the Sertorian War, and his father served under Caesar, and discharged at the same time the offices of a secretary, an ambassador, and a keeper of the seals. His extensive work in 44 books was drawn from Greek sources, and was entitled Historioe Philippicoe, because the history of the various peoples was grouped round the Macedonian e founded by Philip; it began with Ninus, and reached down to his own time. With the historical narrative there were interwoven interesting descriptions relating to geography, ethnography, and natural science; and indeed he is said to have also composed zoological and botanical works. Of the histories we now possess only lists of the contents of the several books (called the prologi) and the epitome of Justin. (See JUSTINUS.)
 
SPOLIA 15.77%
The Roman term for the arms taken from an enemy defeated in single combat, and also for those portions of the captured armour which were promised by the general to soldiers who distinguished themselves. They were hung up in a temple with a dedicatory inscription [Vergil, Aen. iii 288] or in the vestibule of the house, where they remained, even if the house passed into other hands. Spolia opima were the arms taken from the hostile general by a Roman leader commanding under his own auspices, and were consecrated to Jupiter Feretrius on the Capitol. This is said to have been first done by Romulus, who is the traditional founder of the sanctuary of Feretrius [Livy, i 10 § 6]. They were legitimately won on only two subsequent occasions [by Aulus Cornelius Cossus from the king of Veii, and by M. Claudius Marcellus from the king of the Gaesatae, Plutarch, Marcellus 8].
 
LIVIUS 15.27%
Titus Livius, the celebrated Roman historian, was born at Patavium, (59 B.C.), apparently of good family. He was carefully educated, and betook himself early (certainly before 31 B.C.) to Rome, where he soon became acquainted with the most distinguished men of the time. Even Augustus entertained friendly relations towards him in spite of his openly expressed republican convictions, for which he called him a partisan of Pompey. He does not seem to have taken public office, but to have lived exclusively for literature. Esteemed by his contemporaries, he died in his native town in 17 A.D. He must have begun his great historical work between 27 and 25 B.C.; it can only have been completed shortly before his death, as he did not publish the first twenty-one books until after the death of Augustus (14 A.D.). He recounts the history of Rome in 142 books, extending from the foundation of the city (whence the title Ab Urbe Condita libri) to the death of Drusus (9 A.D.). His own death must have prevented its continuation to the death of Augustus, as he doubtless proposed. He published his work from time to time, in separate parts. He arranged his material--at least for the first ninety books--as far as possible in decads (portions consisting of ten books), and half-decads; the division into decade was however first carried through in the 5th century, probably for convenience of handling so vast a series of books. There still remain only the first decad (to 293 B.C.), the third, fourth, and half of the fifth decad (218-167); of the remainder, with the exception of a fairly large portion of book 91, only inconsiderable fragments. We also possess from an unknown pen, summaries (periochoe) of all the books except 136 and 137, and a scanty extract from the account of the portents (prodigia), which appeared in 249 B.C. and following year; this is by a certain Iulius Obsequens, and perhaps dates from the 4th century. Livy's importance rests more on the magnitude of his patriotic undertaking and the style of his narrative than upon his thoroughness as a historic inquirer. His preliminary studies were inadequate, and his knowledge of Roman law, and still more of the military system of Rome, was insufficient. He was content to select what seemed to him the most probable and reasonable statement from the authorities which happened to be familiar and accessible to him, without regard to completeness, and without severely scrutinising their value,--a method which necessarily led to numerous inaccuracies and serious errors. Primarily, his great aim was not critical research into the history of his country. He desired rather by a lively and brilliant narrative, which should satisfy the more exacting taste of the time, to rekindle the flagging patriotism of his countrymen, and to raise his politically and socially degraded contemporaries to the level of their ancestors' exploits. And his narrative in fact deserves the fullest admiration, especially for its descriptions of events and the actors in them, and for the speeches which are inserted in the work. The latter show his rhetorical training in all its brilliance. His language is choice and tasteful, although in details it marks a decline from the strictly classical standard. Asinius Pollio, in allusion to the author's birthplace, charged it with a certain patavinitas. This can only mean a provincial departure from the peculiar language of the metropolis, which is to us no longer perceptible. Livy's work enjoyed the greatest renown down to the latest days of Roman literature, and has been the great mine of information for knowledge of the past to all succeeding generations.
 
VER SACRUM 14.16%
A dedication practised by the Italian tribes, whereby, in times of severe hardship, all the products of the succeeding spring, i.e. the months of March and April, were conserated to the gods. All the fruits and cattle were actually offered up in sacrifice; while the children that were then born, as soon as they were grown up, were driven out of the country as forfeited to heaven, and required to seek a new home. Whole generations in this way left their country, those of the Sabine stock being led by the animals sacred to Mars-a bull, a woodpecker, or a wolf. In Rome, whose origin is traced back by many to a ver sacrum, the pontifices superintended the vow and its fulfilment. The ver sacrum was vowed for the last time in the econd Punic War. [B.C. 217, Livy xxii 10; but the vow was not fulfilled until twenty-one years afterwards, B.C. 195 and 194, ib. xxxiii 44 and xxxiv 44].
 
ASINIUS POLLIO 11.11%
A celebrated Roman poet, orator, and historian. He was born B.C. 75, and made his first public appearance by bringing an impeachment in B.C. 54; in the Civil Wars he fought on Caesar's side at Pharsalus and in Africa and Spain. After the murder of Caesar he at first inclined to the Republicans, but in B.C. 43 joined Antony, and on the break-up of the Triumvirate obtained Gallia Transpadana for his province. In the redistribution of lands there he saved the poet Vergil's paternal estate for him. After negotiating the Peace of Brundisium between Antony and Octavian, B.C. 41, he became consul in 40, conquered the Parthini in Dalmatia in 39, and celebrated a triumph. He then retired from political life, and devoted himself to the advancement of learning. He served the cause of literature not only by his own writings, but by setting up the first public library at Rome, and by introducing the custom of reading new works aloud to a circle of experts, before publication. (See RECITATIO.) He was himself a stern critic of others, as we see by his strictures on Cicero, Sallust and Livy, though it was remarked that he was not always so severe upon himself. He was especially celebrated as an orator; yet his speeches, in spite of careful preparation, were devoid of elegance, and, as Quintilian remarks, might be supposed to have been written a century earlier than Cicero's. He wrote tragedies also, in which the same stiffness and dryness are complained of. And he composed a history of the Civil Waxs in seventeen books, from the first Triumvirate to the battle of Philippi, which seems not to have been published in a complete form till after his death. Not one of his works has survived. [The history of Caesar's African campaign, Bellum Africum, has recently been attributed to him, but on insufficient grounds.] He died 80 years old, A.D. 4.
 
SACRAMENTUM 10.92%
The Roman term for the military oath of allegiance, originally the preliminary engagement entered upon with the general by newly enlisted troops [Cic., Off. i 11 § 36; Livy, xxii 38 § 2]. The oath was taken first by the legates and tribunes. These officers then administered it to the soldiers in the following manner: one soldier in each legion recited the formula of the oath, and the rest were called up by name, and, coming forward one by one, swore to the same oath with the words idem in me, i.e. "The same (holds good) for me." The oath remained in force only till the next campaign, and whenever there was a new general a new oath was taken. After the introduction of the twenty years' service by Marius (about 100 B.C.) the men raised for service took the oath, not one by one, but all together and for the whole tiine of service, in the name of the State, afterwards in that of the emperor. Sacramentum in the oldest and most general form of civil lawsuit, named after it legis actio per sacramentum, is a deposit made beforehand by the parties in the suit. It was originally five sheep or five oxen, according to the value of the object in dispute, afterwards a surn of money at the rate of ten asses for each sheep and one hundred for each ox. The deposit was given back to the successful party, while that of the loser was originally applied to religious purposes; afterwards it went to the aerarium, or public treasury.
 
ROSTRA 8.52%
(properly the ships' prows, from rostrum, the iron-Lund prow, lit. "beak," of a ship). The orators' platform in the Forum at Rome, so called because it was embellished wil the bronze prows of the ships of the Latin fleet captured at Antium in 338 B.C. [Livy, viii 14]. Besides these it was also decorated with other monuments of the greatness of Rome, such as the Laws of the Twelve Tables, the columna rostrata of Duilius, and numerous statues of men of mark. Originally it stood between the part of the Forum called the Comitium and the Forum proper, opposite the Curia [no. 18a in Plan s.v. FORUM]; but in 44 B.C. Caesar moved it to the north end of the Forum under the Capitol [no. 6 in same Plan; cp. Cic., Phil. ix 2], and here built up part of it by the employment of the old materials. It was not completed until after his death, by Antonius. This now platform, which was afterwards repeatedly restored, appears by the existing remains to have consisted of an erection 11 feet higher than the pavement of the Forum, about 78 feet in length, and 33 feet in depth. [Cp. Middleton's Remains of Ancient Rome, 244, 246.] The front was decorated with two rows of ships' prows. The way up to the platform was at the back. This platform also was used down to the latest times of the Empire as a place for setting up honorary statues. [The Rostra Iulia, so called to distinguish it from the other rostra, was the projecting podium of the heroon of Julius Coesar, built by Augustus, (no. 21 in plan). Affixed to this were the prows of the vessels captured at Actium: Dion Cassius, li 19 (Middleton, l.c., pp. 262-8).]
 
CATO 8.45%
The earliest important representative of Latin prose, and an ardent champion of Roman national feeling in life as in literature. He was born 234 B.C., at Tusculum, and passed his youth in a laborious life in the country. At the age of seventeen he entered the army, and fought with distinction in the Haunibalic war in Italy, Sicily and Africa. He was elected quaestor in 204, aedile in 199, and praetor in 198 B.C., when he administered the province of Sardinia. He attained the consulship in B.C. 195. As proconsul he was so successful in the measures he adopted for the subjugation of the province of Spain, that he was honoured with a triumph on his return. Four years later, in the capacity of legatus, he dealt the decisive stroke which gave the Romans the victory over the troops of king Antiochus at Thermopylae. In 184 he was elected censor, and administered his office with such strictness that he received the cognomen of Censorius. He was the enemy of all innovations, especially of the Greek influence which was making itself felt at Rome. Everything which he thought endangered the ancient Roman discipline, he met with unwearied opposition, regardless of any unpopularity he might incur. He is said to have been prosecuted forty-four times, and to have been always acquitted. The occasions on which he himself appeared as prosecutor were even more numerous. Even in extreme old age he retained the vigour of his intellect, and was as active as before in politics and literature. He is said to have been an old man when he made his first acquaintance with Greek literature. He died 149 B.C., in his eighty-sixth year. [See Livy xxxix 40.] Cato was the first writer who composed a history of Rome in Latin, and who published any considerable number of his own speeches. His chief work was the Origines, or seven books of Italian and Roman history. The title Origines, or "Early History," applied properly only to the first three books, which contained the story of the kings, and traced the rise of the various cities of Italy. But it was afterwards extended to the whole work, which included the history of Rome down to B.C. 151. In the narrative of his own achievements he inserted his own speeches. From early manhood he displayed great energy as an orator. More than 150 of his speeches were known to Cicero, who speaks with respect of his oratorical performances. The titles, and some fragments of eighty of his orations have survived. In the form of maxims addressed to his son (Praecepta ad Filium) he drew a comprehensive sketch of everything which, in his opinion, was useful for a young man to know if he was to be a vir bonus. He also put together in verse some rules for every-day conduct (Carmen De Moribus). The only work of Cato which has come clown to us in anything like completeness is his treatise on agriculture (De Re Rustica), though even this we do not possess in its original shape. This was intended as a manual for the private use of one Manlius, and had reference to a particular estate belonging to him. One part is written sysmatically, the other is a miscellaneous collection of various rules. There is also a collection of 146 proverbs, each in a couple of hexameters, which bears the name of Cato. But this belongs to the later Empire, though it is probably not later than the end of the 4th century A.D. This little book was a well known manual all through the Middle Ages, and was widely circulated in translations.
 
OLYMPIEUM 6.00%
The temple of Zeus Olympius in the southern quarter of Athens, between the Acropolis and the Ilissus. It was built on the site of an ancient temple of Zeus ascribed to Deucalion. The building was begun after 535 B.C., under the tyrant Pisistratus, but was suspended on the expulsion of his son Hippias, B.C. 510. Its original architecture was probably Doric. The names of the architects were Antistates, Callaeschrus, Antimachides, and Porinus. It was continued in the Corinthian style under the Syrian king Antiochus Epiphanes (B.C. 175-164), who employed for the purpose a Roman architect, Cossutius. It was completed by the Roman emperor Hadrian, probably between A.D. 125 and 130, the year of its dedication. On this occasion an oration was delivered by the famous rhetorician Polemon, and Olympic games instituted on the model of those at Olympia. The emperor identified himself with Zeus and assumed the title of Olympias, causing a statue of himself to be placed in the temple and claiming divine honours from the priests. The first of these priests was the celebrated Herodes Atticus (q.v.). When Pausanias visited Athens about 170 A.D. the temple had been recently finished. He gives no description of the fabric, but states that the image of the god was of enormous size, only excelled by the colossi of Rhodes and Rome (i 18 § 6-8). It was of gold and ivory, and on its base were reliefs representing the battle of the Athenians with the Amazons (i 17 § 2). In the precinct a great number of statues of Hadrian were erected by the cities of the Greek world; the largest of these, that erected by Athens, stood at the west end ofthe temple. Among the statues of earlier date was one of Isocrates. There was also a fine group consisting of some Persians upholding a bronze tripod, and also an archaic bronze statue of Zeus. Lastly, in the precinct there was a temple of Cronus and Rhea, the sacred inclosure of which extended down to the Ilissus. Some of the Doric columns of the original building were carried off to Rome by Sulla in 86 B.C. to adorn the temple of Iupiter Capitolinus. In respect to its architecture the temple must be regarded as mainly the work of the 2nd century B.C. rather than the 2nd century A.D. The building was octostyle, dipteral, and probably hypaethral. As designed by Cossutius in the former century, it must have possessed more than 100 Corinthian columns, arranged in double rows of 20 each on the north and south sides, and in triple rows of 8 each at the ends. The columns were of Pentelic marble, 56½ feet high, and 5-5½ feet in diameter. The ruins in their present condition consist of 16 columns in two groups. To the east stand 13, which are comparatively intact, and for the most part bear their architraves. About 100 feet to the west are three others, two still erect; the third was overthrown by a storm in 1852. The excavations of 1861 showed that the temple did not lie in the centre of the precinct, but considerably nearer its northern wall. The temple of the era of Pisistratus is mentioned by Thucydides (ii 5) as one of the old temples in the southern part of the city. In respect to its origin, as well as its vast dimensions, Aristotle (Pol. v 11) compares it to the works of the dynasty of Cypselus at Corinth, the Pyramids of Egypt, and the public buildings erected by Polycrates of Samos. As a monument of tyranny it was naturally left unfinished by democratical. Athens. Livy (xli 20 § 8) describes it as unum in terris incohatum pro magnitudine dei. In allusion to the long time during which it remained uncompleted, Lucian (Icaromen. 24) represents Zeus as getting impatient to know when the Athenians intended to finish his temple. Lastly, Vitruvius (vii proef. 15-17) mentions it as one of the four most famous examples of marble architecture. The ruins were first identified by a Prussian archaeologist, Transfeldt, in 1673-4, and independently by Stuart and Revett, whose great work on the Antiquities of Athens was published in 1762-1816. The first description pretending to any accuracy of detail was in the letter sent from Smyrna by Francis Vernon in 1676 and published in Spon's Voyage. The site has been explored in recent times by Rhusopulos in 1861 (Ephemeris Arch., 1862, pp. 31 ff.), and Penrose (Journal of Hellenic Studies, viii 272, and Principles of Athenian Architecture, new ed.). A comprehensive monograph on the subject by L. Bevier is included in the Papers of the American Classical School at Athens, 1885, vol. i 183-222.] [J.E.S.]
 
MYSTERIES 5.77%
The name given by the Greeks, and later also by the Romans, to various kinds of secret worships, which rested on the belief that, besides the general modes of honouring the gods, there was another, revealed only to the select few. Such religions services formed in almost all the Greek states an important part of the established worship, and were in the hands of an important body of priests appointed by the State. If any one divulged to the uninitiated the holy ceremonies and prayers, or sometimes even the names only, by which the gods were invoked, he was publicly punished for impiety. Some mysteries were exclusively managed by special priests and assistants to the exclusion of all laymen. To others a certain class of citizens was admitted; thus the Attic Thesmophoria could only be celebrated by women living in lawful wedlock with a citizen, and themselves of pure Athenian descent and of unblemished reputation. At other mysteries people of every kind and either sex were allowed to be present, if they had carried out certain preliminary conditions (especially purification), and had then been admitted and initiated. The usages connected with the native mysteries were similar to the ceremonies of Greek divine service; in the course of time, however, many other elements were borrowed from foreign modes of worship. They consisted usually in the recital of certain legends about the fortunes of the deity celebrated, which differed from the ordinary myths in many respects (e.g. the names and genealogies), and were often accompanied by a dramatic representation, with which was connected the exhibition of certain holy things, including symbols and relics. In many cases the symbols were not hidden from the public eye, but their meaning was revealed to the initiated alone. Of native mysteries those considered most holy were the Eleusinian mysteries of Demeter; we know more about the ceremonies in this case than in any other. (See ELEUSINIA.) Next to these came the Samothracian mysteries of the Cabiri (q.v.), which in cource of time appear to have become very similar to the Eleusinian. In these two mysteries, as indeed in all, no deeper meaning was originally attached to the legends, usages, and symbols. But, as time went on, these initiations were supposed to have a peculiar power of preserving men amid the dangers of this life by purification and expiation, of giving him a temporary blessedness, and above all of conferring a sure prospect of a state of bliss after death. [Isocrates, Paneg. § 28.] This change is in great part due to the influence of a sect, the Orphici (See ORPHEUS). Following Oriental, Egyptian,and also Pythagorean doctrines, they taught that expiation and sanctification were necessary for this and for a future life, and that these must be effected by means of the initiations and purifications which they pretended Orpheus had revealed to them. Those who enjoyed these revelations of Orpheus constituted a religious society which gradually extended to every Greek country. Their religious services were also called mysteries, not only because the initiated alone could take part in them, but because the representations and usages connected with them had a hidden mystic meaning. It was chiefly owing to their influence that foreign mysteries were introduced into Greece, and that thus the various systems were blended together. Among foreign mysteries must be mentioned the wild and fanatic orgies of Dionysus (or Bacchus), Sabazius, and Cybele. The first of these gained a footing in Rome and Italy under the name of Bacchanalia, and in 186 B.C. had to be firmly suppressed by the government on account of the excesses connected with them [Livy xxxix 8-19]; while the last-mentioned were most widely spread even in early imperial times. (See RHEA.) The mysteries connected with the worship of Isis and of Mithras (q.v.) were also held in high esteem by Greeks and Romans down to a late period. The whole system of mysteries endured to the very end of the pagan times, for the deeper meaning of its symbolism offered a certain satisfaction even to the religious requirements of the educated, which they failed to find in the empty forms of the ordinary worship. (Cp. ORGIES.)
 
HIPPEIS 5.50%
The Greek term for riders and knights. (1) Among the Athenians, the citizens whose property qualified them for the second class. (See SOLONIAN CONSTITUTION.) (2) Among the Spartans, the royal guard of honour, consisting of 300 chosen Spartan youths under the age of thirty, who, although originally mounted, afterwards served as heavy-armed foot-soldiers. The cavalry of Athens, which was first formed after the Persian War, and then consisted of 300 men, from the Periclean period onwards consisted of 1,200 men, viz. 200 mounted bowmen (hippotoxotoe), who were slaves belonging to the state, and the 1,000 citizens of the two highest classes. They were kept together in time of peace, and carefully drilled; at the great public festivals they took part in the processions. They were commanded by two hipparchi, each of whom had five phylai under him and superintended the levy. Subordinate to these were the ten phylarchi in command of the ten phylai. Both sets of officers were drawn from the two highest classes. It was the duty of the council to see that the cavalry was in good condition, and also to examine new members in respect of their equipment and their eligibility. (See BOULE.) The number of horsemen to be despatched to the field was determined by the decree of the popular assembly. Every citizen-soldier received equipment-money on joining, and during his time of service a subsidy towards keeping a groom and two horses; this grew to ben an annual grant from the state, amounting to forty talents (=£8,000 in intrinsic value), but regular pay was only given in the field. At Sparta it was not until B.C. 404 that a regular body of horse was formed, the cavalry being much neglected as compared with the infantry. The rich had only to provide horses, equipment, and armour; for the actual cavalry service in time of war, only those unfitted for the heavy-armed infantry were drafted off and sent to the field without any preliminary drill. In later times every mora of heavy-armed infantry seems to have had allotted to it a mora of cavalry, of uncertain number. By enlisting mercenaries, and introducing allies into their forces, the Spartans at length obtained better cavalry. The utility of the Greek citizen-cavalry was small on account of their heavy armour, their metal helmet, and their coat of mail, their kilt fringed with metal flaps, their cuisses reaching to the knee, and their leather leggings. They did not take shields into action. As weapons of offence they had the straight two-edged sword and a spear, used either as a lance or a javelin. Shoeing of horses was unknown to the Greeks, as was also the use of stirrups. If anything at all was used as a saddle, it was either a saddle-cloth or a piece of felt, which was firmly fastened with girths under the horse's belly. The Thessalians were considered the best riders. Cavalry became really important for the first time in the Macedonian army under Philip and his son Alexander the Great. Although in earlier times the number of horsemen in the Greek forces was only very small, in the army which Alexander marched into Asia they formed nearly a sixth part of the infantry. The Macedonian cavalry was divided into heavy and light, both consisting of squadrons (ilai) of an average strength of 200 men. Of the heavy cavalry the choicest troops were the Macedonian and Thessalian horsemen, armed in the Greek fashion, who were as formidable in onslaught as in single combat; in order and discipline they far surpassed the dense squadrons of the Asiatic cavalry, and even in attacking the infantry of the enemy they had generally a decisive effect. The light cavalry, which was constituted under the name of prodromoi (skirmishers), consisted of Macedonian sarissophoroi, so called from the sarissa, a lance from 14 to 16 feet long [Polybius, xviii 12], and of Thracian horsemen. The heavy-cavalry men had each a mounted servant and probably a led horse for the transport of baggage and forage. In the time after Alexander there came into existence what were called the Tarentini equites, or light-armed spearmen, with two horses each [B.C. 192, Livy, xxxv 28, 29].
 
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